itdo
August 17th, 2003, 12:13 PM
As the discussion about deleted scenes goes on, here's one from the Shooting script of THE COWBOYS.
There is another one in the script, in which Wil Andersen explains his hands how to use a bandana (this scene is significant because they use his own bandana later on to mark his grave) but we don't know if it was actually filmed or abandoned before that. And there's one in which Cimarron and Wil encounter a bear - there are stills of that one, as well (a video company even used one on the cover of a VHS, isn't that ironic).
What we do know is that the following scene - the meeting of Wil Andersen and the indians - was actually shot - the reherseal for it is shown in the Video "Behind the Scenes with the Duke", and there's a great color shot of it in the book "Great Hollywood Westerns" (no Hondo, you don't have to buy it just because I mention it here :D ). Anyway, I thought the written scene might be of interest to those who are looking for "lost" scenes:
This scene occurs right after they put Charlie under; Cimarron has seen an Indian.
CIMARRON
Break out the guns! there's Indians!
He points. Everyone follows his gesture.
LONG SHOT
The horizon is lined with them. Three painted warriors, looking ferocious, with slivers of bone piercing their noses, break away from the others and begin trotting toward hem.
CAMP SITE
JEBEDIAH
Where's Mr Andersen?
CIMARRON
He went on south, looking for strays. Get the guns.
JEBEDIAH
Now just settle down. Nobody's going to do any shooting. We'll talk and listen. (looks around) Who can talk with his hands.
CIMARRON
I can.
JEBEDIAH
(firmly)
Politely. Don't try to get in front of them.
(pauses)
Who'll be the third. We'll need three.
Slims steps forward, pale but determined.
EXT. RANGE - EVENING
Wil is pushing three cows over the last hill between him and camp. As he goes up the slope, the sunset is revealed in glory of blood-red and orange. At the top the stops and stares.
ANOTHER ANGLE
On the plain beneath him, Wil sees the hundred Indians, his own boys against the sunset, and the two parties at parley in between. (more description about the situation, then:)
ANOTHER ANGLE
All eyes are on Wil as, with studied casualness, he slides up beside Cimarron.
WIL
They don't look too happy. What have you said so far?
CIMARRON
I just asked 'em who they are and where they're going.
WIL
That's enough to get us all killed right there. What do they want?
FIRST WARRIOR
Cow.
Everyone reacts in surprise at the English.
FIRST WARRIOR
Hunger in the tents. Many cold. Children die.
CIMARRON
If they're hungry, let' em eat their horses.
WIL
That's enough!
(turns back to the Indians)
If you're through talking to a boy. ask your chief to come parley with a man.
The braves watch his face closely,then suddenly wheel and race away.
JEBEDIAH
Boys, when you decide to get people killed, ask 'em first.
CIMARRON
(bursting out)
They're just savages. You gotta stand up to them.
WIL
You say one more thing to rile them and I'll knock you out of that saddle, you hear?
CIMARRON
We'd parley a hell of a lot better wearing our guns!
WIL
Sonny, if you shot off your gun the way you do your mouth, we'd all be in hell before morning.
RANGE
A small procession comes their way. (description how Chief Joseph looks, then:)
JOSEPH
I am Chief Joseph.
WIL
I am Wil Andersen.
JOSEPH
These are my people the Nez Perce. I am taking them to a new home, if we escape your army.
WIL
I'm taking my beef to the market. The black man is my brother, the boys are my helpers.
(pauses)
How many are you?
JOSEPH
Not as many as we were. Hunger has claimed some, battle has claimed some.
WIL
Take the cattle you need.
CIMARRON
Give 'em the cows and they'll come back for your scalp!
Wil's am sweeps through the air and knocks the boy out of the saddle. He gets up slowly, nursing his jaw. Joseph obeserves the discipline with recognition.
JOSEPH
You have a wild son.
WIL
He can be a handfull.
JOSEPH
I, too, have sons that don't obey.
WIL
Yeah, they get away from us.
JOSEPH
When our children are small they are tied in the saddle and we lead the horses. Soon they are good riders; they ride alone. We no longer lead them, they lead us...
WIL
Well, I'm not ready to drop back just yet.
JOSEPH
I would be grateful for 20 cows.
WIL
Cut out twenty-five.
The Indian raises his hand in salute as he reins away.
ANOTHER ANGLE
As the four turn toward camp Wil suddenly finds Cimarron at his side, as though suing for a private moment.
CIMARRON
He said I was your son.
WIL
Yeah?
CIMARRON
You didn't say I wasn't.
WIL
That's right.
Wil spurs ahead. Cimarron wathces him go, suddenly feeling sheltered by the acceptance.
Here the scene would dissolve to the scene where the chuck-wagon looses a wheel. Well - a lenghty scene, but very important for the relationship Wil/Cimarron. And another scene which would have shown that JWs parts showed dignity when it came to Indians - contrary to his image.
There is another one in the script, in which Wil Andersen explains his hands how to use a bandana (this scene is significant because they use his own bandana later on to mark his grave) but we don't know if it was actually filmed or abandoned before that. And there's one in which Cimarron and Wil encounter a bear - there are stills of that one, as well (a video company even used one on the cover of a VHS, isn't that ironic).
What we do know is that the following scene - the meeting of Wil Andersen and the indians - was actually shot - the reherseal for it is shown in the Video "Behind the Scenes with the Duke", and there's a great color shot of it in the book "Great Hollywood Westerns" (no Hondo, you don't have to buy it just because I mention it here :D ). Anyway, I thought the written scene might be of interest to those who are looking for "lost" scenes:
This scene occurs right after they put Charlie under; Cimarron has seen an Indian.
CIMARRON
Break out the guns! there's Indians!
He points. Everyone follows his gesture.
LONG SHOT
The horizon is lined with them. Three painted warriors, looking ferocious, with slivers of bone piercing their noses, break away from the others and begin trotting toward hem.
CAMP SITE
JEBEDIAH
Where's Mr Andersen?
CIMARRON
He went on south, looking for strays. Get the guns.
JEBEDIAH
Now just settle down. Nobody's going to do any shooting. We'll talk and listen. (looks around) Who can talk with his hands.
CIMARRON
I can.
JEBEDIAH
(firmly)
Politely. Don't try to get in front of them.
(pauses)
Who'll be the third. We'll need three.
Slims steps forward, pale but determined.
EXT. RANGE - EVENING
Wil is pushing three cows over the last hill between him and camp. As he goes up the slope, the sunset is revealed in glory of blood-red and orange. At the top the stops and stares.
ANOTHER ANGLE
On the plain beneath him, Wil sees the hundred Indians, his own boys against the sunset, and the two parties at parley in between. (more description about the situation, then:)
ANOTHER ANGLE
All eyes are on Wil as, with studied casualness, he slides up beside Cimarron.
WIL
They don't look too happy. What have you said so far?
CIMARRON
I just asked 'em who they are and where they're going.
WIL
That's enough to get us all killed right there. What do they want?
FIRST WARRIOR
Cow.
Everyone reacts in surprise at the English.
FIRST WARRIOR
Hunger in the tents. Many cold. Children die.
CIMARRON
If they're hungry, let' em eat their horses.
WIL
That's enough!
(turns back to the Indians)
If you're through talking to a boy. ask your chief to come parley with a man.
The braves watch his face closely,then suddenly wheel and race away.
JEBEDIAH
Boys, when you decide to get people killed, ask 'em first.
CIMARRON
(bursting out)
They're just savages. You gotta stand up to them.
WIL
You say one more thing to rile them and I'll knock you out of that saddle, you hear?
CIMARRON
We'd parley a hell of a lot better wearing our guns!
WIL
Sonny, if you shot off your gun the way you do your mouth, we'd all be in hell before morning.
RANGE
A small procession comes their way. (description how Chief Joseph looks, then:)
JOSEPH
I am Chief Joseph.
WIL
I am Wil Andersen.
JOSEPH
These are my people the Nez Perce. I am taking them to a new home, if we escape your army.
WIL
I'm taking my beef to the market. The black man is my brother, the boys are my helpers.
(pauses)
How many are you?
JOSEPH
Not as many as we were. Hunger has claimed some, battle has claimed some.
WIL
Take the cattle you need.
CIMARRON
Give 'em the cows and they'll come back for your scalp!
Wil's am sweeps through the air and knocks the boy out of the saddle. He gets up slowly, nursing his jaw. Joseph obeserves the discipline with recognition.
JOSEPH
You have a wild son.
WIL
He can be a handfull.
JOSEPH
I, too, have sons that don't obey.
WIL
Yeah, they get away from us.
JOSEPH
When our children are small they are tied in the saddle and we lead the horses. Soon they are good riders; they ride alone. We no longer lead them, they lead us...
WIL
Well, I'm not ready to drop back just yet.
JOSEPH
I would be grateful for 20 cows.
WIL
Cut out twenty-five.
The Indian raises his hand in salute as he reins away.
ANOTHER ANGLE
As the four turn toward camp Wil suddenly finds Cimarron at his side, as though suing for a private moment.
CIMARRON
He said I was your son.
WIL
Yeah?
CIMARRON
You didn't say I wasn't.
WIL
That's right.
Wil spurs ahead. Cimarron wathces him go, suddenly feeling sheltered by the acceptance.
Here the scene would dissolve to the scene where the chuck-wagon looses a wheel. Well - a lenghty scene, but very important for the relationship Wil/Cimarron. And another scene which would have shown that JWs parts showed dignity when it came to Indians - contrary to his image.